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ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

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On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

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Double standards… all the way!

Humra Quraishi goes over the many events of recent past in which it is getting clearer by the day that the discrimination agai...

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A Life in Translation: Gita Krishnankutty

Gita Krishnankutty is a name inextricably intertwined with the history of Malayalam translations into English, writes Janaky Sreedharan...

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The Mystery of the Missing Earri

Juhi Saklani looks back at Hindi films to trace the role of the jhumka, gale ka haar and paayals in storytelling, which convey...

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Of Dev Anand’s James Bond-like adventure

Film historian Dhruv Somani, zeroes in on The Evil Within, the little-seen crime thriller, which had marked the evergreen star...

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Awareness Campaign: Gender Based Violence

The Centre for Women Studies, Maulana Azad National Urdu University (MANNU) Hyderabad, in collaboration with CDPP, Hyderabad, held webinars on 'Awareness Campaign for Elimi...

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Dhoni and Virat: The Heroes of IPL 2020

The Indian Institute of Human Brands (IIHB) ran a telephonic survey to checkout recall of bran...

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CAMPION TALES OF OLD BOMBAY

Producer, Director and Actor Rajiv Kapoor, shared this precious piece written by his school mate John Mani, with me on Whatsapp last night and I publish it here in The ...

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Why Modi Government's Renaming Frenzy is a Political Act of Invasion

You have a right to name that which you have built. But no right to rename that which has been built by oth...

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